The Science of Sound – Proof That You Truly Are a Cosmic Instrument
By Christina Sarich, Staff
“Music is the universal language of mankind.” ~ Henry Wadsworth Longfellow
An ancient understanding of the cosmological universe puts forth that inaudible music calculates the position of the heavenly bodies in our skies. With quintessential harmony, Mars, Neptune, Uranus, and all the other planets are held perfectly in place, with the harmonic ratios of each planet determining how they respond to one another, and how they affect all life on the planet earth, as well as sentient life elsewhere in the galaxy. The ancients understood that cosmic harmony is the state of enlightenment. Disharmony, is when the egoic nature, or false self has not been healed, and conducts the ‘show’ of our lives – the musical, as it were, of you.
The symphony of full realization, however, is sweeter than any Beethoven, Mozart or Sibelius ever wrote. Certainly, more amazing than the latest off-Broadway phenom. In fact, God-consciousness is 10 million times more blissful than sexual experience, according to Sage Ramakrishna Paramahansa. The music that soothes the savage beast is no metaphor for some outwardly creature, it is the beast within us that is soothed when our bodies and minds are in harmony.
“Music produces a kind of pleasure which human nature cannot do without.” ~Confucius, The Book of Rites
Conceptualized as ‘gradations of good’, by the Pythagoreans, we can either evolve to the will of God, the Music of the Spheres, as it was called, or we can devolve into a state of evil or ego, which is really just a cacophony of sound, where the music becomes distorted. Our bodies work just like the planets do. In greater expressions of harmony and beauty we experience health, but in degradation, the cells, tissues, and mitochondria can no longer communicate effectively. The music simply becomes mayhem and disease ensues.
In research from scientists at Copenhagen University it was discovered that contrary to conventional scientific wisdom, nerves do not transmit electrical impulses, but musical ones – that is, they use sound to convey messages to the rest of the body.
“For us as physicists, this cannot be the explanation,” said Thomas Heimburg, an associate professor at the university’s Niels Bohr Institute. “The physical laws of thermodynamics tell us that electrical impulses must produce heat as they travel along the nerve, but experiments find that no such heat is produced.”
According to the traditional explanation of molecular biology, an electrical pulse is sent from one end of the nerve to the other with the help of electrically charged salts that pass through ion channels and a membrane made of lipids and proteins that sheathes the nerves.
Heimburg and Jackson theorize that sound propagation is a much more likely explanation. Although sound waves usually weaken as they spread out, a medium with the right physical properties could create a special kind of sound pulse or “soliton” that can propagate without spreading or losing strength.
Our bodies, like the stars, and planets have their own musical signature.
Susumu Ohno, a geneticist and molecular biologist believed that he found music in our very DNA. He created multiple compositions based on the ‘sound’ of DNA.
In his research, Ohno assigned a musical note to each chemical in our DNA sequence and found if he strung these notes together, something miraculous happened.
A great intelligence, or harmony was within the structure of our DNA. It was highly intelligent. When he took his findings to other musicians, they realized that echoes of Schubert, Mozart and Bach were in our DNA code. We were quite literally, musical, mathematical codes, just as Pythagoras and other ancient cultures had suggested.
This phenomenon gained some attention and Pandora started the “Music Genome Project” which was conceived in late 1999, in an effort to “capture the essence of music at the fundamental level,”but other pioneers preceded this work.
One such genius in the DNA-is-music field is David Deamer, professor of Chemistry and Biochemistry at the University of California, Santa Cruz. In 1988 he collaborated with Susan Alexjander, composer and music theorist, on a science/art project to collect frequencies from the bases of DNA with a spectrophotometer. The spectrophotometer is an analytical instrument that measures the intensity of light as a function of its wavelength.
When Deamer sent infrared light through a base molecule of DNA, it was absorbed at certain frequencies. This was plotted as bands of a wavenumber across a spectrum, and then converted to hertz. This put (some of) the music within the human audible spectrum. It was found to be microtonal.
A microtone, for those who are not musicians, are sounds that are not on the traditional whole tone and half tone scale. In Western music, in fact, on many of our instruments, you can only play whole or half tones. Unless you were to pluck the strings of a piano on the inside, you can play C or C#, but you cannot play all the tones that occur between those two notes. This does not mean that they are not still there. Charles Ives, a famous piano composer did it, but it is not common, as the piano has to be tuned in an unconventional manner. A sitar player, however; trained in classical Indian music will play hundreds of microtones in a singular piece.
Microtonal sound may be the secret to mantra’s and Gregorian chants used to uplift the consciousness and heal the body in times past. According to Brian T. Collins, a musician and researcher, the standard pitch (A=440 Hz) does not harmonize on any level that corresponds to cosmic movement, rhythm, or natural vibration. The greatest musicians, such as Mozart and Verdi, based their music on the natural vibration of A=432. It’s true that it is only 8 vibrations per second different from the standard tuning, but this small difference seems to be remarkable to our human consciousness.
READ: The A=432 Hz Frequency: DNA Tuning and the Bastardization of Music
For example, A=432 Hz, known as Verdi’s ‘A’ is an alternative tuning that is mathematically consistent with the universe. Music based on 432Hz transmits beneficial healing energy, such that it is a pure tone of math fundamental to nature. The slightest variations to pitch can therefore, plausibly cause deterioration of life, or heal it.
In ancient Vedic knowledge, microtones were known as shrutis. Some who have been trained to hear microtones (since they are not often taught in Western music) say that one octave contains 22shrutis or microtones, others say there are an infinite number.
All are simply a sound oscillation, beginning from silence of sound which then reaches its peak and slowly ‘decays’ to reach its original dormant state.
The very name of the heart chakra, is in fact ‘unstruck note’ when translated from Sanskrit. When sound emanates from the benevolent Universe, starting from its dormant or feminine state, and expands into its material or male state, there are layers of organization along the way. We are the instruments of the Cosmos.
Friedrich Nietzsche said, “Life without music would be a mistake,” but there are no mistakes, because we ARE music.
“In the beginning was the word, and the word was sound.”
The very first sentence of the bible explains the phenomenon of music in the Universe, and how matter is formed. We are the instruments upon which this sound is made in manifest reality.
This means we can make a ‘joyful noise’ and experience tremendous beauty and perfect health, or produce a distorted version of the ego, which falsely believes it is apart from the creation of Universal Sound.
Every single molecule of matter in this reality is the energy of God manifesting in different beautiful ways. Energy cannot be created or destroyed, but the music of God is played out through us – dependent upon our consciousness. If you don’t like the music that is playing, simply change the tune.
“Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.” ~ Hunter S. Thompson
About the Author
Christina Sarich is a writer, musician, yogi, and humanitarian with an expansive repertoire. Her thousands of articles can be found all over the Internet, and her insights also appear in magazines as diverse as Weston A. Price, Nexus, Atlantis Rising, and the Cuyamungue Institute, among others. She was recently a featured author in the Journal, “Wise Traditions in Food, Farming, and Healing Arts,” and her commentary on healing, ascension, and human potential inform a large body of the alternative news lexicon. She has been invited to appear on numerous radio shows, including Health Conspiracy Radio, Dr. Gregory Smith’s Show, and dozens more. The second edition of her book, Pharma Sutra, will be released soon.
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